00:00:03:13 | ROLL 01 — OFFLINE EDITORIAL COLLECTIVE

The editors behind the shows you binge.

Primetime television editors, now cutting for creators. Twenty on the roster. Thirty-five creators at a time.

ApplySee the rosterApplications reviewed weekly
00:00:30:00Why Offline

Offline is a small roster of primetime television editors who cut for creators.

These editors don’t advertise, don’t take enquiries, and aren’t looking for clients. What brings them here is the work itself — which is why we vet both sides, and why the roster stays small.

An editor at work in a television edit suite at nightSuite 02 — 23:41

Our editors have cut for

NetflixBBCChannel 4SkyITVApple TVUniversalDisney+MTVNBCFox SearchlightPrime Video
00:02:00:00What we cut

The format changes
The craft does not

Our editors have cut some of the most-watched shows on television and the global streamers. Whatever your channel covers, someone on the roster has cut its equivalent for broadcast — and knows how to make it connect.

Travel — edited by Offline
00:02:00:04
TravelLandscape breathes. Cut long.
Podcast — edited by Offline
00:02:04:12
PodcastFind the beat in the silence.
Beauty — edited by Offline
00:02:09:21
BeautyMacro detail. Hold the frame.
Food — edited by Offline
00:02:14:08
FoodCut on the sizzle, not the plate.
Finance — edited by Offline
00:02:19:17
FinanceMake the numbers move.
Fitness — edited by Offline
00:02:24:02
FitnessEffort reads in the pause.
Motoring — edited by Offline
00:02:28:19
MotoringEngine notes carry the cut.
Interiors — edited by Offline
00:02:33:06
InteriorsLet the room hold.
Music — edited by Offline
00:02:37:23
MusicCut to the track, always.
Fashion — edited by Offline
00:02:42:11
FashionTexture over speed.

 

00:03:00:00The roster

Twenty elite editors. 

Every seat is filled by a working primetime television editor with delivered broadcast credits — vetted on finished episodes. We would rather leave a seat open than fill it badly.

Selectivity

Offline works with a small number of creators at a time. We take on channels we want to cut — the ones with a story worth building. Applications reviewed weekly.

Capped at 20 editors. Every one broadcast-vetted.

All twenty seats →

8 of 20 seats confirmed. Intake closes at twenty.

00:04:00:00Turnaround

Apply. Matched inside five days. First cut inside ten working days.

STEP 01 — DAY 00

Apply

Format, pace, references, what's not working. Applications reviewed weekly.

STEP 02 — DAY 05

Match

One editor from the twenty. Their credits, their rate, their availability.

STEP 03 — DAY 10

First cut

First cut delivered inside ten working days of rushes landing. Two rounds to picture lock.

Need it faster? Priority turnaround is available on any plan, priced per cut.

00:05:00:00The structure

Built to hold.

A cutting room is a system, not a freelancer. Here is what sits behind every delivery.

STRUCTURE — 01

One editor who knows your show

You're matched to one editor, deliberately. Over the first weeks they learn your pacing, your typography, your sound design. The cut gets sharper and the process gets lighter every month.

STRUCTURE — 02

A cover editor, always

Every channel has a named second editor with access to your style guide and project files. If your editor is on a series or on a beach, the next cut lands on time and looks like all the others.

STRUCTURE — 03

Music, fully cleared

Every edit ships with production music licensed for creator and branded content. No strikes, no muted uploads, no awkward emails from a rights holder.

STRUCTURE — 04

Your editorial memory, kept

Style guides, graphics, project files and cut history live in one place, maintained by us. Your channel's look doesn't live in one person's head.

00:06:00:00Capacity

Thirty-five creators at a time.

Quality does not survive volume. We hold thirty-five channels on the books — no more — so every creator keeps a dedicated editor who knows the show. When the roster is full, new applications join a waitlist and we work through it as seats free up.

Creators on the books

35 max

Editors on the roster

20 capped

TEN CREATOR PLACES OPEN FOR Q4. APPLICATIONS REVIEWED MONTHLY.

00:07:00:00Rates

Cut on retainer, or one at a time.

Start with one edit. The paid trial will give you usable content in the first month for your channels, no obligation to stay after this period.

First cut — paid trial

£750

one-off

  • 4 shorts (60 seconds) and 1 video up to 4 minutes
  • Single use — no rollover
  • Two rounds of revisions (a round is one consolidated set of notes)
  • Credited in full against your first month if you join
  • This is an audition — ours, not yours.
Apply

Shorts

£950

per month

  • 8 shorts, up to 60 seconds each
  • A mix of cuts from scratch and cutdowns of your longer videos
  • Two rounds of revisions per short
  • Credits roll for 60 days
  • Three-month minimum
Shorts pricing in detail →Apply
Most popular

Creator retainer

£2,700

per month

  • 4 long-form videos up to 6 minutes, plus 8 shorts cut down from them
  • Dedicated editor matched to your channel
  • Two rounds of revisions per deliverable
  • First cuts inside ten working days
  • Credits roll for 60 days
  • Three-month minimum
Apply

Channel partner

£5,400

per month

  • 8 long-form videos and 20 shorts
  • A two-editor pod — a lead on long-form, a second on shorts and cutdowns, both working from your channel's style guide
  • Sponsor and branded-content versioning
  • Thumbnail frame selects
  • Three-month minimum
Apply

Add-ons

Extra short

£140

Shorts top-up — block of four

£520

Extra long-form video

£550

Priority 48-hour turnaround

+30% on the affected cut

Extra revision round

£70 per short / £150 per long-form

Sponsor-cut versioning

£90 per variant

Rushes beyond 3 hours per video

Priced per case

Credits roll over for 60 days. Quiet months are fine. A round is one consolidated set of notes. Long-form videos are up to 10 minutes finished from up to 3 hours of supplied rushes — more footage is fine and priced per case.

THREE-MONTH MINIMUM ON ALL RETAINERS EXCEPT TRIAL. REVIEWED WEEKLY. SHORTS AND REPURPOSING ON ANY RETAINER →

00:07:30:00

The Podcast Room

A separate line for video podcasts. Multicam picture cut, full polish, and five shorts from every episode — delivered on a fixed weekly rhythm by an editor who stays with your show.

Most popular

Weekly

£4,600

per month

4 episodes · 20 shorts

  • Four episodes a month, up to 60 minutes each
  • Three and four-camera picture cut
  • Dead air, repetition and filler removed
  • Titles, graphics, music and sound design
  • Five shorts per episode, captioned and vertical
  • Subtitles delivered with every episode
  • Two rounds of notes on the episode, one on the shorts
  • First cut within 5 working days. Locked in 10 working days.
  • A dedicated editor who stays with your show
Apply

Twice weekly

£8,600

per month

8 episodes · 40 shorts

  • Eight episodes a month, up to 60 minutes each
  • Everything in Weekly
  • Priority slot in the schedule
  • Two rounds of notes on the episode, one on the shorts
Apply

Single episode

£1,650

one-off

1 episode · 5 shorts

  • One episode, one editor
  • Same cut, same polish, same shorts
  • Two rounds of notes on the episode, one on the shorts
  • Priced as an add-on. The monthly rate is materially better.
Apply

The Podcast Room starts at four episodes a month. Single episodes are available to existing clients as an add-on.

00:08:00:00Questions

00:09:00:00Apply

Send us one episode. We'll send back a first cut.

Offline works with a small number of creators at a time. We take on channels we want to cut — the ones with a story worth building. Applications reviewed weekly.

Three-month minimum. Reviewed weekly.

Apply

For editors

Between series? Twenty seats, broadcast-vetted.

Enquire about a seat →